The Suzumiya Haruhi franchise is now 12 years old, and Haruhi herself is approaching 30: an early Millennial, soon to be middle-aged. It’s one of my favorite anime, and I thought I’d revisit it as part of my 12 Days essays.
Kyon, Haruhi, Time Traveler, ESPer , Alien
For those of my reader born this Century, The Melancholy of Haruhi Suzumiya is a 2006 two-season TV anime plus movie, based on a series of ten light novels that started publishing in 2003. Haruhi is a high school girl only interested in the exotic — aliens, ESPers, time travelers and the like. She starts a club to search for these, roping in our POV character, Kyon (his nickname, which is the name of a miniature Japanese deer), as well as … an alien, a time traveler, and an ESPer. It turns out that Haruhi is some sort of goddess unknowing, whose merest whims can turn pigeons white, cause cherry trees to blossom in January, freeze time, and threaten to destroy and rebuild the universe; or call forth aliens, ESPers, and time travelers to play with. The first half of the first season is spent learning these things. The next season-and-a-half, plus movie, is spent with the members of the club frantically trying to head off her whims and keep her distracted.
The start of the second season was interesting, because KyoAni Studio tried something different: they reran the episode about the world being caught in an endless time loop eight times in a row — the infamous Endless Eight. They didn’t skimp on the work, however, because they animated eight different episodes around the same, or nearly the same, script. It was a bold artistic experiment, that didn’t work. Most fans hated it, and ragequit both the franchise and the studio forever. Or at least until Hibiki! Euphonium came out. The reason for the time loop, BTW, was that Haruhi was having so much fun with her friends that she didn’t want Summer to end. They could have called it Endless Summer, but I think that one was already taken. It took another three years before KyoAni was ready to reboot the franchise with the movie Disappearance of Haruhi Suzumiya.
Time Loop 15,524
Time Loop 15,498
Now, about Suzumiya herself. Dangerous as it is to apply Western demographic labels to the Japanese, it looks like the Millenial label — in several of its different interpretations — might fit her quite well. According to Wikipedia, two conflicting descriptions of Millenials is that they are both civic-minded and narcissistic. I think this fits Haruhi exactly.
She is as self-centered as a gyroscope, interested in things that interest her, and totally oblivious to the rest. In the making of the student movie The Adventures of Mikuru Asahina, when Asahina’s Mikuru Beam slices a lightboard in half, she gets irritated with the film club (who she stole it from) for buying such cheap stuff. Later, when the beam chops down a chain link fence, she just assumes it was badly maintained. On the civic-minded front, aside from a personal desire to meet time travelers and aliens, etc, her life goal (as we learn in the later LNs) is to become a philanthropist and make lots of money so she can give it away.
Her oblivious enthusiasm was fun at the beginning, but got old after a while, and the series was right to center on the activities of the other members of the SOS Brigade as they worked to keep her both happy and in the dark. What saves the anime from becoming boring are the soliloquies of Kyon, the self-deprecating POV character and the only normal person in the group. In fact, the whole series should have been called The Melancholy of Kyon Haruhi’s-Helper. Kyon isn’t particularly attracted to Haruhi, he’s more interested in Mikuru’s chest, and Yuki’s intellect. He’s there probably because goddess Haruhi wants him there, and she isn’t sure herself why that is (or why she gets irritated whenever he spends time with one of the other girls).
Kyon under observation
On the one hand, it’s unfortunate that the franchise hasn’t revived, because there’s at least one more season’s worth of material in the light novels. On the other hand, it’s not all that unfortunate that the franchise hasn’t revived, because the material in the light novels isn’t that strong. It involves an anti-Haruhi storyline, where alternative versions of all our characters appear to contest the validity of Haruhi as mediator of the universe. The story arcs are interesting, but the ending is unsatisfactory.
The animation was done with KyoAni’s usual insane attention to detail. One blogger has pointed out that items, like the Tanabata bamboo, were included (unremarked) in the background of Season 1, because they’d be important in Season 2, if there was one.
All in all, I consider The Melancholy of Haruhi Suzumiya to be a minor masterpiece, and I’m glad to have a chance to write about it again.