From 1994 to 2006, Hitoshi Ashinano wrote 140 chapters of a manga titled Yokohama Kaidashi Kikō, or Yokohama Shopping Journal, known in the West as Yokohama Shopping Trip. It’s set in a Japan of the far future, when sea levels have risen to cover most of today’s cities and humanity has declined to a tiny remnant, quietly living amidst the ruins.
Strange creatures have appeared — fungi with human faces; flying fish adapted to life out of the water; the Mikago, a human-female-seeming creature that lives in the coastal forest and appears only to children, and the Taapon, a never-landing stratospheric flyer. In addition, there are robots, what would have been called androids, before Star Wars perverted the label. They are constructed humanoids. Indistinguishable from humans, they eat and sleep and excrete and are immortal. Yokohama Shopping Trip is this new world as seen by one of the early model robots, named Alpha.
The story is best described as a post-apocalyptic slice-of-life. The pace is calm, slow, lethargic, even glacial. A whole chapter might be dedicated to making a cup of coffee, or driving to the seashore to watch the street lights light up along a highway that is now under water. Alpha runs a coffee shop out at the end of a disused road through an abandoned countryside.
Every now and then there’s a visitor. Every now and then she hops on her scooter, and drives into what’s left of Yokohama (the hillside suburbs, mostly), to buy more coffee beans.
Her friends include a couple of other robots, an old man who runs a nearby gas station, and his grandchildren. There’s no drama to speak of.
At one point, she decides to see more of the world, and spends a year walking around central Japan, rarely getting out of sight of Mt. Fuji. In the end, she returns to Café Alpha.
Wikipedia says there were two OVA series, released under the title Quiet Country Café. The disc labelling is obscure, and even the sellers are a little confused about what they have. I have an all region copy of the second OVA, with English subtitles (ISBN ending 5045). The copy I have is a single disc, two parts, each of four x eight-minute segments. That’s 64 minutes total, or about three regular anime episodes. I also have a Region 2 copy of Part 2 of that OVA, Japanese, no subtitles (ISBN ending 003997). Finally, I have a Region 2 copy of the first OVA, Japanese, no subtitles (ISBN ending 704054), also about 60 minutes. So I have one more disc than I need, and one of the discs I do need for a full set is Japanese only. Fortunately, it tracks the manga very closely, and so I can get the gist from there.
The sources selling them are not always clear if they are selling the Region 1 version, with English subtitles, or Region 2, with no subtitles, so be careful.
The anime is just as slow as the manga, and even more enigmatic. There’s no overlap between the two OVA’s, and because of the slice of life format there’s not much continuity within them. If you haven’t read the manga, you will miss out on half the references. Minor characters from the manga (Taapon, Misago, the pilot) make cameo appearances, seemingly for the sole purpose of satisfying the fans.
Other elements are touched on, but not developed (in the second OVA, we don’t find out that Alpha is a robot until the second half, her friendship with Kokone is never expanded), or ignored (Who/where is her “owner”? What does ownership mean under these circumstances?).
The artwork gets a B. It looks like watercolor on textured paper. The colors are muted. The depth/distance effects are often based on multiple layers, like an elementary school paper art project. It would make a nice wallpaper, but it doesn’t make the countryside a character, the way Non Non Biyori does.
It’s been compared to Aria as a feel good anime, but I think it’s closer to Non Non Biyori. It’s very quiet, very rural, and, to the extent that there are characters, character-based.